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Sculpture is three-dimensional artwork created by
shaping hard or plastic material, commonly stone (either rock or
marble), metal, or wood. Some sculptures are created directly by
carving; others are assembled, built up and fired, welded, molded,
or cast. A person who creates sculptures is called a sculptor.
Because sculpture involves the use of materials that can be moulded
or modulated, it is considered one of the plastic arts. The majority
of public art is sculpture. Many sculptures together in a garden
setting may be referred to as a sculpture garden
Materials of sculpture through history
Sculptors have generally sought to produce works of art that are
as permanent as possible, working in durable and frequently expensive
materials such as bronze and stone: marble, limestone, porphyry,
and granite. More rarely, precious materials such as gold, silver,
jade, and ivory were used for chryselephantine works. More common
and less expensive materials were used for sculpture for wider consumption,
including hardwoods (such as oak, box/boxwood, and lime/linden);
terra cotta and other ceramics, and cast metals such as pewter and
zinc (spelter).
Many sculptors seek new ways and materials to make art. Jim Gary
used stained glass and automobile parts, tools, machine parts, and
hardware. One of Pablo Picasso's most famous sculptures included
bicycle parts. Alexander Calder and other modernists made spectacular
use of painted steel. Since the 1960s, acrylics and other plastics
have been used as well. Andy Goldsworthy makes his unusually ephemeral
sculptures from almost entirely natural materials in natural settings.
Some sculpture, such as ice sculpture, sand sculpture, and gas sculpture,
is deliberately short-lived.
Sculptors often build small preliminary works called maquettes
of ephemeral materials such as plaster of Paris, wax, clay, or plasticine,
as Alfred Gilbert did for 'Eros' at Piccadilly Circus, London. In
Retroarchaeology, these materials are generally the end product.
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